With that said, you may have to further adjust your color after you’ve applied the LUT. These LUTs work best when you (ETTR) expose to the right with your histogram. HIGH SAT – ZCAM E2-M4 Ludeman_709_Skin_LUT MED SAT – ZCAM E2-M4 Ludeman_709_Skin_LUT LOW SAT – ZCAM E2-M4 Ludeman_709_Skin_LUT HIGH SAT – ZCAM E2-M4 Ludeman_709_Base_LUT MED SAT – ZCAM E2-M4 Ludeman_709_Base_LUT LOW SAT – ZCAM E2-M4 Ludeman_709_Base_LUT Included in this folder are the following LUTs: Each LUT included has varying degrees of saturation and color. I designed these LUTs to help me achieve proper exposure while I’m filming and grading while continuing to maintain a pleasing picture.
My primary tests when creating the LUTs were with my lovely ZCAM E2 (classic). If you want the best results, I suggest grading beyond the simple application of the LUT.Įach LUT in this pack was created specifically for the ZCAM Z-log 2 color profile. These LUTs simply serve as a base or starting point for your grade. I should also note that these LUTs are not a”fix all” for your footage. These are simply the LUTs I’ve personally used and perfected over the years. Not only will they help you get exposure out on the field, they will also help you in post production.īefore I go any further, I should note that I didn’t create these LUTs with the intent to sell them. This is why I created my ZCAM E2-M4 LUTs, specifically made for ZCAM E2 (Calssic) and the ZCAM E2-M4. Zlog 2 and other log formats also have a tendency to look flat or washed out. Zlog 2 and other log formats can often times be hard to expose without a proper way of monitoring your image.
Free s log 2 luts skin#
The ZCAM E2-M4 Skin LUT Pack is my go-to for filming weddings on my ZCAM E2 (classic) and my ZCAM E2-M4 Cameras. Just like the ZCAM Base LUT packs, the green and red channel for these LUTs have also been modified. I designed The ZCAM E2-M4 Skin LUT Pack with this in mind. I’ve always loved warm, pink, and creamy skin tones.
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